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The
following photo sequence is from: Photo credit: William Tuttle |
From the looks of Yvette Mimieux, it appears this was done in the early 60's. | |
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Tuttle
demonstrates the procedures for making a lifecast. Here Tuttle and Ron
Berkeley cool the Negacol for making the mask.
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Yvette
Mimieux becomes Tuttle's model, and Tuttle and Berkeley paint Negacol
over her face.
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A
quick set-plaster is applied over the Negacol.
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Mimieux
is completely covered with the quick-set plaster.
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Once
the plaster has set, it is carefully removed. Mimieux looks happy to
be released from her plaster prison.
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The
negative impression is filled with plaster.
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The
plaster must fill each indentation, and Tuttle takes great care to make
certain of this.
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Although
this is a negative impression of Mimieux's features, when held in a
certain light, it appears to have a positive form.
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Yvette
Mimieux displays the cast of her features Tuttle has created.
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