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 The
work of Juan
Horta Castillo consists of vivacious and boldly imaginative hand carved
masks, painted in vibrant colors with high gloss
automotive enamels. His works are part of a
long tradition of Mexican mask making, influenced by pre-Columbian culture and
the iconography of modern Catholicism.
Horta is considered to be one of the finest traditional mask makers in Mexico.
His works range from simple human and animal forms, to complex
compositions that combine multiple subjects into stunning works of
art. Devils,
snakes, cats, lizards and skeletons are common elements in his work.
Horta masks come in a number of sizes, from full size functional masks, to
miniatures created for decorative display. His full-sized masks
are used in dances and ceremonies in the Lake Patzquaro region of Michoacán.
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Horta is survived by his wife and five children. His
sons are carvers in their own right, carrying on the art taught to them
by their father. Horta's
work has been exhibited throughout Mexico and the United States including the
Art Institute of Chicago, the Field Museum
of Natural History, and Brown University. He
is a first prize winner of Mexico’s National Mask Maker competition,
and is included in the permanent collections of El Museo de la Mascara
in San Luis Potosi, Mexico.
His masks are featured
world-wide in the performances of the “Ballet Folklorico de Mexico”.
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